Samyang 85mm f/1.8 Prima FE Review: Affordable, Sharp, and Small
In Calgary, we have an annual Japanese festival aptly named Omatsuri. This is a fun event with lots of vendors,…
Nothing Phone 3 Review: A Quirky and Fun Phone for Photographers
Nothing ventured, nothing gained. As a brand hailing from Britain, Nothing has been around since 2020, and the Phone 3…
Reto Pano Film Point-and-Shoot Review: C I N E M A T I C
In May, vintage-inspired analog camera company Reto announced the Reto Pano, a reusable point-and-shoot camera with both an ultra-wide lens…
Wandrd’s Colorful New Prvke V4 Photography Backpack Offers Form and Function
Wandrd’s Prvke series has earned a devoted following among photographers, and with the launch of the new Prvke V4 21L…
Megadap ETZ21 Pro E to Z Mount Adapter Review: Viable But Not Vindicated
If you have a Sony E-mount camera body, the world is your oyster when it comes to lens selection. If…
Harman Phoenix II Film Review: Crunchy Pastels
Harman is on a roll, expanding its support for analog photographers with multiple new film emulsions this year. Right on…
Rokinon 14-24mm f/2.8 AF Ultra Review: What’s the Catch?
LK Samyang revealed a very exciting lens at the CP+ show in 2024 and it turned my head when I…
Laowa 8-15mm f/2.8 FF II Zoom Fisheye Review: Sharp But Niche
I don’t really like fisheye lenses. I’ve never found much use for them and find the surreal look of the…
Tamron 16-30mm f/2.8 Di III VXD G2 Review: The Daisangen Dream
“Then shalt thou count to three, no more, no less. Three shall be the number thou shalt count, and the…
Tamron 16-30mm f/2.8 Di III VXD G2 Review: The Daisangen Dream
“Then shalt thou count to three, no more, no less. Three shall be the number thou shalt count, and the…