Apple MacBook Pro with M5 Review: The Best Laptop for Photographers
Although Apple’s Pro, Max, and Ultra-series chips rightly get significant attention in the creative professional space, the company’s base M-series…
Canon EOS C50 Review: A Pro Camera for Pro Filmmakers
Since the Canon Cinema series was started over a decade ago, the cameras have targeted professional users in film and…
Zeiss Otus ML 85mm f/1.4 Review: A Costly Decision
Zeiss is a famous and prestigious name in the world of optics, and it is very willing to partner with…
Laowa 200mm f/2 C-Dreamer Review: Ambitious and Affordable
Laowa has made a name for itself by releasing wonderfully weird optics that the major lens manufacturers would never think…
Sony 100mm f/2.8 Macro G Master Review: Close to Perfect
Sony was one of the first major manufacturers to switch from DSLRs to mirrorless cameras and subsequently rushed to bring…
Nikon 24-70mm f/2.8 S II Review: The Legend Continues
Nikon debuted its Z-mount cameras in 2018 and shortly thereafter came out with its first professional 24-70mm f/2.8 S lens.…
Are Old Compact Cameras Good, or Is It Just Nostalgia?
Earlier this summer, Chris Niccolls, Jordan Drake, and I browsed the fixed-lens section of KEH’s website to see what was…
Sigma 35mm f/1.2 DG Art II Review: Compact, Lightweight, and Ultra-Fast
35mm has long been one of my favorite focal lengths, so it’s odd that I never had the chance to…
Canon RF 85mm f/1.4L VCM Review: Truly a Hybrid Lens
Two things that I love are 85mm lenses and Tokyo, Japan. I was fortunate to experience both, and PetaPixel’s Jeremy…
Xiaomi 15T Pro Review: Great Leica Cameras That Inch Forward
The Xiaomi 15T Pro and 15T are driven by their cameras and Leica co-engineering, and continue to outperform established competitors…