Sony 100mm f/2.8 Macro G Master Review: Close to Perfect
Sony was one of the first major manufacturers to switch from DSLRs to mirrorless cameras and subsequently rushed to bring…
Nikon 24-70mm f/2.8 S II Review: The Legend Continues
Nikon debuted its Z-mount cameras in 2018 and shortly thereafter came out with its first professional 24-70mm f/2.8 S lens.…
Are Old Compact Cameras Good, or Is It Just Nostalgia?
Earlier this summer, Chris Niccolls, Jordan Drake, and I browsed the fixed-lens section of KEH’s website to see what was…
Sigma 35mm f/1.2 DG Art II Review: Compact, Lightweight, and Ultra-Fast
35mm has long been one of my favorite focal lengths, so it’s odd that I never had the chance to…
Canon RF 85mm f/1.4L VCM Review: Truly a Hybrid Lens
Two things that I love are 85mm lenses and Tokyo, Japan. I was fortunate to experience both, and PetaPixel’s Jeremy…
Xiaomi 15T Pro Review: Great Leica Cameras That Inch Forward
The Xiaomi 15T Pro and 15T are driven by their cameras and Leica co-engineering, and continue to outperform established competitors…
Hands-On with the Pixless Camera for ’90s-Style Pixel Art Photography
The Pixless Camera is a new compact, retro-inspired digital camera that transforms everyday photos into playful, Game Boy–style pixel art.…
iPhone 17 Pro & Pro Max Review for Photographers: A Welcome Focus on Hardware
Arguably, a smartphone is the most important piece of tech most of us own, considering how integrated it is into…
OM System 50-200mm f/2.8 IS Pro Review: Optical Excellence
When it comes to the longer telephoto ranges, even Micro Four Thirds lenses can still be big, and not everyone…
Nikon ZR Hands-On First Impressions: Zed RED Redemption
In the year and a half since Nikon acquired RED, both have been extremely busy with video-focused products. RED released…