Even now in 2026, autofocusing lens design out of the Chinese manufacturers is still in its relative infancy. We have seen some excellent autofocus-equipped prime lenses from companies like Sirui and Viltrox, but who knew that a manufacturer known for making boutique manual-focusing M-mount lenses would be the first to market with a zoom?

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One of my favorite zoom lenses of all time is the Sony 20-70mm f/4. Just the fact that a versatile range can be coupled with an ultra-wide-angle field-of-view brings a lot of convenience to the camera bag. I don’t mind the moderate f/4 aperture either, and the size and weight are kept to a minimum because of it. So when Canon released a 20-50mm f/4 L PZ lens alongside the R6 V, I was excited to try it out.

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Panasonic is celebrating 25 years in the camera game under its illustrious Lumix brand name. Jaron Schneider and I were invited to attend this celebration in Osaka, Japan, and there was an incredible surprise in store for us: the Lumix L10.

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When Canon launched the C50 and R6 Mark III last year, the comparison was pretty simple. But now, a third camera is in the mix complicating that up a bit.

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The Sony a7R VI might very well be the last camera many photographers truly need. It won’t be the last camera people want, of course, but there is very little this camera cannot do, at least for still photography. It’s exceptional and, in many crucial ways, the new standard-bearer in the industry.

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Vivo’s “Ultra” phones have always been the company’s best but this one is the first to venture outside the Chinese market. More like a phone in a camera than the other way around, it feels like a camera system built from the sum of its many parts.

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The best camera features generally go to top flagships for good reason, but mid-range brands like Tecno always try to punch above their weight. The Tecno Camon 50 Ultra may be a phone you’ve never heard of, yet its camera system is varied enough to stand out.

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The Nikon Z system needed a new kit lens. The 24-120mm f/4 is one of the best lenses I’ve ever used, but it isn’t exactly affordable and is understandably beyond the budget of many beginner photographers. The 24-50mm is a decent optic, but it has a slow aperture range and a limited focal range for general-purpose photography. Even the Nikon 24-200mm and Tamron 25-200mm is a bit too expensive for a beginner.

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The Reto company, which is behind the insanely popular Charmera camera, are at it again with a charming 35mm analog camera. They clearly took a design cue from the Ricoh GR series of cameras while heaping on a generous pile of Kodak nostalgia, but the end result promises to be a stylish and simple analog experience for potential buyers.

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The Oppo Find X9 Ultra will be the company’s first “Ultra” flagship to go beyond China’s borders, making it something of a global debut. Those in the know recognize the symbolism, but the backbone of this introduction begins and ends with the quadruple rear camera array.

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